What do you see?

What do you see?

When you walk into my house, or my parent’s house, what do you see when confronted with the dead animal heads?  If you are family and friends, most likely you aren’t shocked, and unless you are a hunter, you probably don’t give them a second glance.  There is of course the potential that you are offended.  How macabre, how barbaric, how antiquated, how blood-hungry you might ask.  Let me tell you what I see.

First, I see a myriad of stories.  Each head holds a memory shared, for not only the person who harvested it, but the entire camp. One of the greatest parts of hunting camp is the comradery, the swapping of tales at the end of the day. Not of only successes, but near misses and the beauty encountered.  For each animal harvested the story was recounted as others filtered into camp that evening, breathing the joy of success throughout each person.  In this way the animal doesn’t belong to just the man who pulled the trigger, but to all who were there to hear the story, who walked those same hills, through those same trees, and bent under the weight of a pack filled with meat. 

While you may see a tame, frozen, inanimate rendering of some creature, I see wildness.  Those lifeless glass eyes hold a million mysteries to me. What experiences did that animal have? Living in the wild every day that we spend a short week in, how many amazing sunrises and sunsets did that animal witness? I don’t merely see a rigid, artistic recreation of the animals head, but rather a vision of the entire animal, surrounded by its natural home. Trees, grass, and mountains the background rather than warm earth-tone paint.  To me this is the greatest reason to hang a head on the wall: it is not to intimate a taming of wildness, but to bring that wildness into the tameness of our households.

 

Lastly I see the trophy.  But it’s not as simplistic as you might believe.  This isn’t some point-counting, scorekeeping, record-book-entry-seeking ideology.   Rather it is respect and celebration of the animals’ uniqueness and greatness.  The number of tines and Boone & Crocket score is not a reverence paid to the hunter, but rather to the animal.  The hunter didn’t survive for years in the wild, escaping other hunters, enduring bitter winters, and eluding natural predators.  The animal is its own trophy, a celebration of its own remarkable life and legacy, not the hunters.

When you next see an animal head mounted (it is worth clarifying they aren’t stuffed—that would be a teddy bear!) try to view it from my perspective.  It is not some gruesome braggadocios claim of the hunter’s prowess, but a tribute to an amazing animal’s life. It is a preservation of that animal’s greatness, its story intertwined with those who chased it, and a life ended not in dismay, but in celebration and respect.  And most importantly, at least to me, it is a conduit to the wild places that animal inhabited, a reminder of their mastery of places we only visit for short times.  Next time you see a head on someone’s wall, ask them the story.  If they are a true hunter, their eyes will light up as they recount the tale. And if you listen closely you will hear something special; it’s not the hunter’s story, but the animals’ story, a story preserved forever in the icon silently adorning the wall.